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Selected Works

Books
A World Made of Fire
Stella and Jacko, a witchy night of the soul
V for Victor
Victor finds a monster in Mobile Bay, 1944
Tender
A boy (not Elvis) and his twin, and a magic guitar...
Crazy in Alabama
Peejoe and Wiley, Uncle Dove, Aunt Lucille...
Gone for Good
Superman isn't careful what he wishes for.
One Mississippi
All about high school
Movies
Crazy in Alabama
Sometimes you have to lose your mind to find your freedom.
Billy and Jimmy
A movie project currently stuck in Development Hell
Read to me, Mister!
Books for Kids
Two Joshua stories, one Bobbity story

This article (c)2005 The New York Times. All rights reserved.

What it means to miss New Orleans
Tribute

September 4, 2005

ALL week we've been watching the immersion of a great old city. We imagine another city, less peculiar, will arise in its place. But I have this feeling it will never be quite the same nontoxic gumbo again.

For outsiders New Orleans was a place to party and eat food that is way too rich. For the folks who live there it's more complicated - it's home. Eighty-five percent of them were born there, and they're not going anywhere permanently, so forget this idea they're going to move the city somewhere else. It's not going to happen....

St. Ann Parade, Mardi Gras 2005

...New Orleans is the opposite of America, and we must hold onto places that are the opposite of us. New Orleans is not fast or energetic or efficient, not a go-get-'em Calvinist well-ordered city. It's slow, lazy, sleepy, sweaty, hot, wet, lazy and exotic.

I had a house there, up until three weeks ago, when I sold it. My friends say I'm lucky. I don't feel lucky.

Here are 22 reasons America needs New Orleans, the national capital of eccentricity:

1. The turtle soup at Galatoire's is presented in a white porcelain tureen, then ladled into your bowl by a waiter who reveals with a wicked smile that the turtle's name was Fred.
2. The hats in Fleur de Paris, a shop on Royal Street, are perfectly frivolous and ridiculous, beautiful visions of silk and lace.
3. Nowhere else in the country do so many Roman Catholic churches coexist peacefully with so many voodoo shops.
4. If you are a grown man, this is the only place in America where you can step off an airplane, and be guaranteed that within 30 minutes a respectable woman unknown to you will call you "baby," as in, "How you doin', baby!" If you are a grown woman, you will be called "darlin' " whether you are the least bit darlin' or not.
5. The beads of sweat on the unlined face of the conductor on the St. Charles streetcar.
6. Mardi Gras beads, but only the ones you catch, thrown by an actual masker on a float. The ones that hit the ground don't count unless they bounced off your hand or arm first.
7. The Lucky Dog is a venerated local frankfurter that has come a long way, culinarily speaking, from the days when Ignatius J. Reilly peddled them to tourists in "A Confederacy of Dunces." Now they are really good, especially if it is 4 a.m. and you are hungry.
8. I once met Thelma Toole, mother of John Kennedy Toole, author of "A Confederacy of Dunces," who asked if I would buy her a "very expensive meal at the finest restaurant." This lady rolled her R's like an 1860's stage actress to indicate her intellectual superiority to the rest of us. I took her to the restaurant of her choice, and by evening's end she had all the waiters gathered at our table, spellbound by stories of "Kenny." "My son was a genius, with a large and oddly-shaped head," she boomed. Imagine what other great books Kenny might have written, she said, had he not killed himself in a car on that beach in Biloxi.
9. Every Twelfth Night, Henri Schindler, a local historian and Mardi Gras curator, holds a magnificent masked ball on the second floor of the Napoleon House, at the corner of Chartres and St. Louis Streets. White curtains blow in and out of the large empty rooms as masked figures glide past on a cushion of mystery.
10. Locals go to the Maple Leaf and Tipitina's to hear music. Also to Frenchmen Street, a cluster of 10 or 12 small bars and clubs featuring, on any given night, 10 or 12 kinds of music, about 8 of which will be funky. (The other four will be too loud.) Usually at the better places there's a Neville involved, or a Marsalis.
11. My friend Martha Ann Samuels, a real estate agent, revealed to me the actual location of Stanley and Blanche's house on Elysian Fields Avenue, a secret she learned from Tennessee Williams himself when she helped him buy a condo in the Quarter. (I'm not telling.)
12. Oyster loaf at Casamento's on Magazine Street. The crunchy local French bread showers crumbs on your hands. Each bite contains bread, mayo and the delectable local bivalve, breaded and brilliantly fried. Casamento's closes down for the summer because oysters are better other times of the year.
13. At JazzFest, citizens happily stand in long lines in the blazing sun for a chance to eat crawfish bread, white boudin sausage and alligator gumbo to the thump of Rockin' Dopsy from the Congo Square stage. (Could someone please put the JazzFest committee in charge of the Superdome?)
14. You can stand at the foot of Ursulines Avenue and watch a huge oceangoing ship slide by above the level of your head.
15. Along the promenade where the river passes Jackson Square, tourists still fall for one of the oldest New Orleans scams. A friendly fellow proposes that for a dollar he can tell you where you got them shoes. When you accept the bet, he says, "You got them shoes on your feet!" He keeps the dollar.
16. It has the only airport named for a jazz trumpeter, the indelible Louis Armstrong.
17. In the Confederate Museum near Lee Circle is a crown of thorns said to have been woven by Pope Pius IX himself, and sent as a gift to Jefferson Davis while he was imprisoned shortly after the Civil War. For me this artifact represents the height of Southern absurdity, and must be preserved for those future generations who will not believe it.
18. Every Thursday night at Donna's on Rampart Street, Tom McDermott plays the fastest, wildest ragtime, Brazilian and stride piano you've ever heard. It's scary how fast his fingers move when he gets going. His feet come up off the floor.
19. Rich people live on the high ground. Poorer people live on the low ground. Last week some of the rich folks' houses got wet, too.
20. Piety Street is one block over from Desire. Not a long walk at all.
21. On a foggy night the moon grows fat and full, and hangs in the sky above the big old river. It pours light on the water and makes a magical brown glitter that doesn't exist anywhere else. The water is the reason the city is there. The full moon pulls the tides into Lake Pontchartrain.
22. The city's sanitation department is considered among the finest in the nation. Its work during Mardi Gras is legendary. Can we please get this water out of here so they can get to work on this mess? The sooner the better.


Costa Rica, Pura Vida


The first time I landed in Costa Rica, I stepped off the plane and stood around in the musty airport at San Jose, feeling doubtful, waiting for the customs guy to stamp my passport. Everywhere were signs welcoming me to “El Jardin de Paz,” and indeed it was all that Garden-of-Peace propaganda and Costa Rica’s reputation as “The Switzerland of Central America” that made me want to see the place for myself. That, and the enthusiasm of a friend who had just come back from Manuel Antonio, on the Pacific coast. “The most beautiful beaches in the world,” he said. “Go. See if I’m wrong.”

“Have a good time in Puerto Rico,” my mother said.

I explained that Costa Rica is not a Caribbean island, but a country about the size of West Virginia, tucked between Nicaragua and Panama on the skinniest part of the American isthmus. Great beaches, no army, universal education and health care, the Garden of Peace and the
Switzerland of etc.

“That’s nice,” said my mother. “Have a good time anyway.”

I spent the first night in San Jose, which I had pictured as a leafy old city full of old men dozing on park benches, and faded examples of Spanish colonial architectural glory. There are a few glories remaining, among them the small, perfect Teatro Nacional in the city’s central plaza, but it’s hard to appreciate them when you’re standing beside six lanes of smoking, honking traffic. The old men are too busy hawking lottery tickets and dodging taxis to doze. I found it all very foreign and interesting. The next morning I rented a car and got out.

Driving south on the Pan American Highway, I felt the country spreading out around me, the air growing sweeter. San Jose sprawls through a broad highland valley, surrounded by ranges of jungle-covered mountains. The country beyond the city is green, green in profusion, a million different kinds of green. I turned off the highway on the road to Orotina and entered a series of different worlds, each greener and more lush than the last. The foothills are scattered with modest estates beautified by generations of gardeners. Huge sprays of bougainvillea spill over white walls. The road climbs into coffee country, where green shrubs in waves describe the contours of the mountains.

Cresting the ridge, I pulled over to drink in the view: behind me the valley, spread before me the hills marching down to the blue shining Pacific in the distance. A pale mist drifted up between forks in the mountains. A man on an oxcart clopped by, with a wave and a grin. It didn’t look a bit like Switzerland, but it was lovely.

Three hours later I was bumping along a rutted road, dodging my thousandth pothole, surrounded on all sides by vast plantations of African palms, and wondering why I hadn’t just stayed on that mountain. Right off I’d learned the most important lesson of traveling in Costa Rica: getting around is not as easy as it seems. The condition of the roads ranges from okay to awful, and just because a place looks close by on the map does not mean it will not take forever to get there.

I was sweaty and tired when I pulled into Quepos, the ramshackle port town that serves as a tourist gateway for the beaches of Manuel Antonio. The sight of fishing boats on a placid inlet lifted my spirits, as did my first taste of Imperial cerveza, the national brew.

Manuel Antonio is a geological oddity, a string of high hills rising from a stretch of low coastline. Land meets ocean in a dramatic confrontation, densely forested hills plunging to the sea -- rather like the coast of northern California, if western Marin County were covered with tropical jungle. The folds in these hills are lined by rocky coves and perfect white beaches. Three of the best beaches are protected within the boundaries of a 464-acre national park. The road from Quepos to the park runs along the summit of the hills, and most of the small hotels and open-air restaurants are arranged to take advantage of the views.

Within ten minutes I was stretched out in a hammock, gazing fifty miles out over the Pacific at a sky full of drifting pink clouds. The swell of the ocean was audible, far below. A mild breeze carried the scent of jasmine and ylang-ylang. A dozen squirrel monkeys were making a noisy feast of the berries in a huge deciduous tree just beyond my balcony. The air was full of butterflies and pink light.

I thought: this is the place.

I drove down to the beach. Just at sunset I stepped out onto a wide stretch of white sand fringed by coconut palms and mangroves, a mile of beach-lover’s heaven. A gathering of rock islets stood offshore, like whales with backs of jagged gray stone. The warm blue Pacific rolled in even white lines, a long rolling curl crashing around the ears of surfers. The támbalo in the national park -- a former island connected to the mainland by a thread of jungle-covered sand -- and the range of hills behind me gave the beach a sculptured shapeliness, a dramatic Bali Hai dimensionality that took my breath away. I thought it was the most beautiful beach in the world.

Seven years later, I’m still here, and I still think so. I built a kind of treehouse on one of those hills, just above a rocky cove. If your idea of heaven is standing on a high hill in the jungle, looking out across the Pacific with a breeze and good surf and a year-round water temperature of 82 degrees, you might find it agreeable here.

The weather is always warm and humid, in the range of 80 to 90 degrees, occasionally hotter, but generally there’s a breeze from the sea. Costa Rica has two seasons, rainy and dry. Dry is the high season, verano or “summer,” December to April, when tourists from the U.S. and Europe come to broil themselves in the all-day tropical sun. (A local term for a scorched tourist is langosta, or lobster.) The rest of the year is the rainy, or “green season,” as the hoteliers like to call it. Tourists are fewer, beaches emptier, prices lower. Usually the sun will shine hot all morning. After midday the clouds stack up over the inland mountains, and bring a gullywasher before sunset. Five inches of rain in one night is not uncommon, and the lightning storms can be spectacular.

All this sunshine and rain and humidity makes for the astounding diversity of life in a coastal-zone tropical rainforest. On this land bridge between the Americas, the variety is too rich to count. Manuel Antonio is famous for monkeys, which abound in three species: the mono titi, or squirrel monkeys, the carablancas, or white-faced, and the congo, or howlers. The forest teems with coatimundis, three-toed sloths, raccoons and opossums and armadillos, iguanas and lizards, frogs, iridescent butterflies and some of the largest, strangest insects in the world. I’ve seen a firefly with high beams and low beams, and beetles as big as my hand.

I have done battle with ants of every description, among them the leaf-cutters that can strip a whole tree in one day. My yard is a stopping-place for toucans, hawks, macaws, parakeets, pelicans, innumerable hummingbirds. We have a bird that makes a sound like an old-fashioned manual typewriter, complete with the ching! of the bell.

I have never ceased to be amazed by all this fecundity. In March of last year, I scraped some papaya seeds off a plate onto the ground. By June, the papaya tree that grew from the seed was five feet tall, and in September I picked the first ripe fruit from that tree.

A hummingbird is nesting right now in the lime tree beyond my kitchen window. In a nest the size of a doll’s teacup she has laid two minuscule eggs, perfect white lozenges. This morning I glanced in the nest, and saw one tiny egg and a brown thing the size of a bean, with some prickly hairs on one side. Leaning close, I saw its tiny heart beating. The world now has one more hummingbird. On mornings like this I feel lucky.

In the years since I came here, I’ve explored other parts of Costa Rica. As Columbus observed, it is a rich coast, big for its size and incredibly gifted by nature. I’ve spent unforgettable days paddling down whitewater rivers through mountain rainforest. Riding a rickety bus through endless banana plantations on the Atlantic slope. Sitting, steaming, in a natural volcanic spring while Mount Arenal spews lava into the night sky. Witnessing the miracle of two dozen newly-hatched sea turtles making their first triumphal waddle down the sand to the sea. Dancing to electric reggae on the beach at Cahuita. Watching the fireworks marking the peaceful ascension of a new president in Central America’s longest-lived democracy, where election day means a wild party.

Slowly I am coming to know the Ticos, as the Costa Ricans call themselves. They are a beautiful, prideful, hard-working, warm, slightly cryptic people, intensely proud of their country, friendly to strangers but hard to know well. Inherently peaceful, they seek to avoid conflict and anxiety, a national trait expressed in the all-purpose phrase for “good morning” or “terrific!” or “see you later”: Pura vida. It means “pure life,” and is more a thing to be wished for than a statement of present reality.

The philosophy of pura vida has served the Ticos well in leading other Central American countries down the path of peace. It also means that everyone will cheerfully offer directions to where you’re going, whether or not they have the slightest clue, and they’ll say anything to keep from disappointing you. Friends and I once sat in a restaurant for thirty minutes, studying the menus we’d been graciously offered, before the waiter worked up the nerve to tell us they were all out of food.

Keep in mind that in Costa Rica, as in many Latin countries, mañana does not mean “tomorrow,” it just means “not today.”

The Tico approach to preserving their country’s natural wealth is an impressive and fairly recent development. In the days before ecology mattered, many of the country’s virgin forests were clearcut, with American encouragement, to make way for banana plantations and cattle pasture. On a bus through the breathtaking mountain passes of Braulio Carrillo National Park, I noticed a sign that asked riders to please maintain the cleanliness of the bus by throwing their trash out the window. And yet Costa Rica has done more to preserve its natural heritage than any other developing nation, with very little outside help. The chain of national parks and reserves that grew in the 1960s and 70s now covers twelve percent of the nation’s land mass, and is the pride of the people, the heritage they will hand to their children.

I am hardly the first gringo to have discovered Costa Rica. The first wave of surfers and backpackers came in the 1960s, followed by retirees in the 70s, ecotourists in the 80s, and now, in the 90s, a new species of visitor: the movie star. Marlon Brando and Woody Harrelson spend time here. Ditto Michael Keaton, Charlie Sheen, Michael Douglas, and Jimmy Buffett, all of whom breezed through Manuel Antonio recently. Costa Rica seems to attract stars who like macho vacations: sportfishing, sea kayaking, and whitewater rafting are the preferred diversions.

If you’d like to be join in, you’ll find yourself welcome. Ticos are famously hospitable, and kind to gringos with little Spanish. It’s easy to wander off the tourist track and make yourself at home. You can get lost on a beach, or in a cloud forest. Don’t come expecting a great deal of luxury; many first-time visitors think they’re coming to a kind of Central American Hawaii with fancy cuisine, fine roads, lots of swanky hotels. If you're looking for great archeological ruins, stick to Mexico or Guatemala. If you don’t like rice and beans, if potholes annoy you excessively, you won’t care for Costa Rica. But if you’d like to see what a beach looks like when it’s completely alive, you might like it a lot.

P.S. Just checked the nest. Make that two hummingbirds. Pura vida!

(c) 1999 by Mark Childress, all rights reserved.

Note: I left Costa Rica in 2000 for another jungle: New York City. But I still go back at least once a year to lie in a hammock in the jungle, an experience I recommend to you.


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Vega$ by the Numbers


(c) 2007 by Mark Childress. First published in slightly altered form by the Los Angeles Times Magazine.

So there I was on stage, dirty-dancing with Toni Braxton. At her invitation I gave her a little spank. “Now it’s my turn,” she said, and beckoned me to stick out my behind. I did. She slapped it. The audience roared. And that’s the moment I decided to try to stop hating Las Vegas.

It had taken more than 24 hours to get to this point. My trip hadn’t started out too well. The plane was overbooked, then late. My suitcase missed the flight. Three times the rental-car guy gave me the wrong keys, meaning three round trips across the sun-blasted asphalt plain of the parking lot. Las Vegas was windy and hot, as it tends to be, since someone decided to put it in the middle of the godforsaken desert. My head throbbed. I wished I were anywhere else.

I put down the top on the car and drove muttering toward the gigantic golden swoosh of the Wynn. I still couldn’t believe some kindly fool of an editor had offered me a plane ticket and a $1,000 bankroll, with the idea that I would fly here, gamble it all away and then write about the experience. When I spotted the subject of his e-mail, “vegas on us,” the words capitalized themselves and began to dance on the screen of my Blackberry, glittering, chiming like a shower of coins: VEGA$ ON U$ !!!!

If only it were that easy.

Other times, other cultures have given the world Venice, Paris, the glories of Rome. Only 20th-century America would create as its gift to the ages this humongous Fake City, the Las Vegas Strip, a four-mile collection of facsimiles of the world’s other, more interesting places. A whole gleaming city of gold dedicated to the worship and voluntary surrender of money. This is Boomtown USA, where the major remodeling is done with dynamite. More than 38 million people came here last year to toss their hard-earned cash into Vegas’ money-sucking machines and hotels and five-star restaurants.

Why don’t we just go ahead and change the city’s name to Mammon?

But, hey, who was I to complain? This was Vegas, baby! I had other peoples’ cash in my pocket! The Wynn was a huge wedge of gold, and I had a chance to turn this bankroll into some gold of my own. I could win and win big!

I called Suzie Chastain, my traveling companion, on the cell. She was already checked into our room at the Wynn. “It’s 5125,” she told me.

Her excitement cheered me up. “We’re on the 51st floor?”

“Forty-first. Apparently there are no floors 40 through 50.”

In the rest of the world I can usually navigate fine without a map, but in the vast elegant roar of the Wynn casino I got lost five times on the way to the room. (I still don’t know what happened to floors 40 through 50. Maybe they were taken out in the desert and shot. You want tall? We got tall! You want taller? We’ll give you Fake Tall! It’s Vegas, baby!)

I opened the door to a welcome hug from Suzie, my blondest and most glamorous friend, who had flown in from San Francisco to help me lose all this cash.
The view from our room was impressive, but all I could think was how much it cost. See, I come from a long line of poor Southern people. When I was a kid, my grandmother would periodically receive these hunks of processed Velveeta-like cheese from the Agriculture Department to help tide her over until her next Social Security check. She knew how to make that cheese last. The idea of throwing away $1,000 in a casino is wasteful enough to cause the ghost of my grandmother to rise up before me, wagging her finger.

I sipped a glass of champagne. The $435 room, I figured, was running $1 a minute for all the time we’d actually spend there. In Vegas you can go high or low. You can pay $15,000 a night for The Villas at The Mansion at the MGM Grand, or you can go downtown and get a 99-cent shrimp cocktail. It’s high vs. low. Red vs. black. It’s luck vs. skill, baby, and in Vegas, luck is the winner every time.

Posed before our floor-to-ceiling window, Suzie looked like Sharon Stone in the early parts of “Casino.” The Strip shimmered, the streets paved in pure Nevada gold, more golden than a hunk of government cheese.

.....

I like to play roulette. I like it so much I limit my gambling to one afternoon per year in a casino in Stateline, Nev., where I allow myself to lose exactly $100 on the wheel. (Sometimes I win.) So the idea of giving me $1,000 of FREE MONEY to blow at a casino struck me as risky from the start. Gambling is one of the few addictions I’ve managed to avoid—so far—but I am sure that I could, in a heartbeat, become one of those old guys plugged into the Multi-Poker machine by his Slot Rewards card, blindly pumping the DEAL/DRAW button. I like the buzz in the back of the scalp. The breathless excitement of the big bet, the spinning wheel. It pushes my pleasure-buttons.

Suzie said she’d rather go shopping. She’d just had a $190 Wynn mani/pedi ($4.22 a minute) and had spotted a pair of Manolo Blahniks in a window downstairs.

“You can’t buy the shoes,” I insisted. “We have to win the money to buy them. We have to win, and win big!”

The Wynn casino was too posh for my taste, the table minimums too high, so we headed across the strip for a taste of Retro Vegas. The New Frontier is one of the few remaining Rat Packish casinos on the Strip. Retro Vegas tastes like cigarettes, lots and lots of cigarettes being smoked all around you. We found a $5 wheel. The ball skittered and dropped. Suzie watched as I played for half an hour, until our eyes burned from the smoke. I lost $20.

Time to head for Caesars Palace, where we spent about 90 minutes with the 900-pound gorilla of the Vegas show world, Celine Dion. We paid through the nose for a pair of seats located, appropriately, in the nosebleed section. For nearly four years, Celine has been packing them in at Caesars’ Colosseum. Among the show’s many spectacular features: Burlwood fog. A stage the size of Nevada. Scampering sprites. Enormous projected doves. Vast herds of half-naked dancers romping. A ghost boy in white. An acrobatic bellhop in yellow. Flotillas of lampposts floating through the air.

Somewhere in the middle of it all was Celine. “Pretty well indeed,” she enthused after one rather wan ovation. “I think we’ve really been feeling awesome for four years.”

Vegas audiences tend to be tired, drunk and older. They sit on their hands until someone tells them it is time to clap and stand up and go play blackjack. Celine was working hard, bless her heart, but behind the professional sheen she seemed a little bored. Who wouldn’t be, after singing “My Heart Will Go On” four or five nights a week for four years? After awhile she didn’t even bother pronouncing the words; she just stood there blaring out these big phonetic blasts with that powerful foghorn of hers.

“I would like to dedicate this song to all the parents and children of the world,” she said, a sentiment that seemed designed to make most of us feel included.

A gigantic moon began to descend at a perilous rate, threatening to squash Celine and the scampering sprites. In the heyday of the Rat Pack, all you needed to rule a Vegas showroom was a microphone, a spotlight, a Voice. Now you’re asking more than 4,000 suckers to plunk down as much as $2.50 per minute to hear this lady sing, so you need your bellhops and flying lampposts, your boy dancers rolling frantically across the floor as if their skin is on fire. You need a stage as big as all outdoors, and a fake moon that is at least one-third the size of the actual moon.

We returned to the Wynn to sit on a terrace by the lake, beside the forested mountain that Steve Wynn constructed to separate his golden hotel from the riffraff on Las Vegas Boulevard. The last time I came to Vegas this was a flat, dusty construction site. Now it is a mountain forested with real trees. The computerized colored lights make the trees look fake. The lake has naked bathers standing in it, gazing at the mountain, but they’re only statues. The mountain puts on a light show every 10 minutes or so, with splashing water and video projections and animated puppet-masks that rise up from the woods. It’s lovely and a little creepy.

We went in to a $25 roulette table. Perhaps a higher table minimum would bring on the thrill that I was missing.

In six turns of the wheel I dropped $300. Then I hit 13, my lucky number. The dealer pushed a big pile of chips toward me. I should have felt lightheaded at the rush of a big pile like that, but I didn’t feel anything. Not the least little buzz.

That’s when it hit me: Gambling with somebody else’s money isn’t as much fun as you’d think. There’s no risk, no sizzle, no thrill in the back of the neck. I wasn’t putting anything on the line—nothing that truly mattered to me, anyway. I’d had more fun all those years up in Stateline losing my measly $100 than I was having now, tossing down hundreds like Monopoly money.
I was $400 up, $200 down. What the hell, it didn’t matter. I laid out the money, I distributed my chips, I sucked down the “free” cocktails, but neither the booze nor the gambling had much effect. I won my way back to within $50 of the original $1,000, and called it a night.

.....

Saturday morning I headed downstairs for coffee in a paper cup. I carried the coffee to the only roulette wheel open at 7 a.m. I sipped it slowly and lost $250.
The lady beside me had been playing at this table all night. She said she was winning, but she didn’t look like she was winning. She looked a little bit like my grandmother.

I carried coffee up to Suzie. We put on sneakers and headed off for a Multi-Casino Fitness Walk, hustling two miles down the strip, checking out the skylines of Venice, Rome, New York. We meant to go all the way to ancient Egypt, but we had to hurry back to check out of the Wynn and into the Bellagio. (The Wynn was booked solid for Saturday night, at least for low rollers like us.)

Suzie would have loved a cocktail and a lounge chair near the pool, but I wouldn’t allow it. It was Saturday afternoon already, and we still had $720 to lose!

I was thinking a lower-end casino might get my gambling jones going, so we headed downtown. Along the way we passed wedding chapels with dressed-up folks standing around in the parking lot, waiting to get married. In certain parts of Vegas, when you see all that big hair and too much makeup, it is hard to tell the hookers from the brides.

In Glitter Gulch we wandered into the Four Queens, one of the old casinos that made Vegas famous. Suzie humored me by taking a spin at roulette. She placed the minimum outside bet, five $1 chips on black, at 2-1 odds. The wheel spun. The ball dropped. 17! Black! Her $5 turned into $10.

She guessed black again. The wheel spun. Black!
She guessed red. Red!

She made six correct guesses in a row -- a nice string of luck. She was up more than $80. “I like this game!” she said. There was a stirring among the pit bosses.

Our friendly female dealer was hustled away, replaced by a scowling man. On the next spin Suzie guessed black.

Red! For the first time out of seven, she was wrong.

We left the table. The original dealer came right back for the next spin.

“I swear the ball jumped out of black and went to red,” Suzie said as we went out the door.

I shrugged. “Welcome to Vegas, baby!”

.....

It was time to get dressed for Toni Braxton anyway. Toni is the Strip’s newest headliner, the R&B vixen best known for “Un-Break My Heart” and a string of breathy, sexy ‘90s hits. She holds forth nightly at the fabulous Flamingo, the house Bugsy Siegel built. When we saw her, Toni put on quite a show in her spangly micro-minis with her gorgeous voice and her gym-toned bod. She went at it with real energy, though it seemed she lip-synched some of the songs, and her husky voice vanished once or twice in the desert air. She was like the 2006 version of Ann-Margret in her Queen-of-the-Showroom Vegas days, all spangles and moxie and legs and sex.

Late in her act, Toni set about seducing various members of the Golden Circle, the group of us that had paid $123 each to sit at the tables around the thrust stage. She came down into the audience, asking a wife’s permission, then perching upon a husband’s lap while purring the sexiest sounds imaginable. It made for good theater, especially when she coaxed the men onstage to make grinning fools of themselves.

It also turned out to be another income stream. A photographer darted about, snapping pictures of Toni cuddling with the guys. Copies of the photos were available for purchase 15 minutes after the show.
My heart sank when Toni pointed at me, and wiggled her finger. I climbed up the steps to the stage.

I knew why she saved me for next-to-last. I was embarrassed but the crowd loved it, so I shook and shimmied and acted out my part, middle-aged white schlub in the glasses. The audience howled -- definitely laughing at me, not with me. I got a big hug from Toni when she sent me away. Lots of people congratulated me on my luck as we shuffled out of the arena.

We lined up at the Toni Braxton Shop to wait for our photos. I bought three, at $20 a pop. The British guy sitting next to Suzie bought every snap of him with Toni in his lap, about 20 pictures in all. Four-hundred dollars worth of bragging rights, we guessed, for the guys back home.

Suzie was ready for bed. Not me, baby! I sat down at a slot machine and won $100. I tried losing some more at roulette. I’m a professional writer, after all, and I had an assignment to meet. But my heart wasn’t in it.

.....

The next morning we drove to the Liberace Museum, which still gamely occupies two buildings in a strip mall on East Tropicana Avenue. Who would have thought that old show queen’s ridiculous spangles and rhinestone-studded Rolls-Royces would now seem sweet, old-fashioned and rather innocent?

We went all the way to the Las Vegas Hilton to discover there were no Star Trek theme weddings scheduled for that day. (We had really wanted to catch one of those.) I was kind enough to let Suzie have a couple of hours at the pool, with no gambling. Then she had to fly home to her regular life. I was jealous as I waved goodbye to her plane. I wanted to fly away too. The $600 in my left-front pants pocket was dragging me down. I had tried to fail, and I had failed even at that.

I went to the MGM Grand and tried my best to lose it, but it just wasn’t happening. Within an hour I was up to $1,200 again. I couldn’t bear sitting at a roulette table trading the money back and forth, with only the other loner-losers for company. Shouldn’t I put it all on black? Maybe I’d be lucky enough to lose it all, and then I could quit.

Listlessly I wandered down the Strip. A sweet ticket-seller called Clarisse talked me into a discounted last-minute seat at the hottest show in town, “LOVE” featuring the music of the Beatles as interpreted by the Cirque du Soleil. “It’s not as awesome as Carrot Top, but he’s not in town,” she told me. “And it is awesome.”

On my way to the Mirage I noticed a man in a wheelchair. He had one arm and one leg. He was not asking for money. He was just manhandling that chair down the sidewalk as best he could, with his fake leg and arm.

I reached in my pocket for money to give him. The man hawked and spit at my right shoe. I moved my foot just in time.

My sense of charity evaporated. I kept my hand in my pocket and walked on. I smelled wax in the air and realized I was downwind of Madame Tussaud’s.

What impulse had made me stiff that man? Did spitting make him suddenly less worthy of concern? I turned around and went back to find him. You’d think it would be no trouble to catch up to a one-armed, one-legged man in a wheelchair. I searched the sidewalks all the way to the Barbary Coast. I never found him.

I told this story while eating a maki roll at Japonais, in the lobby of the Mirage. The food expediter at the bar was a native Las Vegan, William Jones, who told me about the new anti-panhandling law. I Googled it on my Blackberry and found out that as of July, Las Vegas enacted what is believed to be the first ordinance in the nation prohibiting not just begging for money, but the giving of money, food or anything else to a person on the street.

This means that if you have nothing, and I have $1, and I give it to you on the street in the City of Las Vegas, I am committing a crime. If you are hungry and I have a sandwich, it is against the law for me to split my BLT with you. (The ordinance doesn’t apply on the Strip, which is mostly in Clark County. The A.C.L.U. and homeless advocates are gearing up to fight it.)
Somehow I survived “LOVE.” The arena at the Mirage has the best sound system you’ve ever heard. I know, because I spent a good portion of the show with my eyes closed. The worst part I actually witnessed was the disembodied voice of Paul McCartney sweetly singing “Blackbird” while the acrobat in the flappy blackbird costume bounded up on the bungee cord and pretended to make doo-doo on the other guy’s head.

Until that moment, I’d never thought it was possible to miss Siegfried & Roy.

.....

The next morning I went downtown. The first needy person I saw was hanging out in front of the Golden Gate, the oldest hotel in Las Vegas (built 1906). He said his name was Terry Johnson. He was an Army veteran, 503rd Engineers, he said, but now he was having hard times. He told a long story with many details. I gave him a $100 bill. “Can I give you a hug?” he said. I agreed. He hugged me.

I got rid of the rest of the money in 20 minutes. Every homeless guy on Fremont Street got lucky that day. I guessed that made me a criminal. It was time to get out of town.

The streets in Vegas aren’t paved with real gold; they just look that way from the 41st floor of the Wynn. But on a cloudless Monday morning I got to be the casino for a few minutes, giving away little jackpots wherever I pleased. It’s Vegas, baby. Casinos get to have all the fun.

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